Texts and licences for The Greek Drama Reader
Texts & Licences
Persians
Greek
- Gilbert Murray, ed., Aeschyli septem quae supersunt tragoediae, 2nd ed. (Oxford: Clarendon Press, 1955)
- H. W. Smyth, Aeschylus, vol. 1 (Loeb, 1922)
English
- H. W. Smyth, Aeschylus, vol. 1 (Loeb, 1922)
- E. D. A. Morshead, Four Plays of Aeschylus (London: Macmillan, 1908)
- Ian Johnston, Persians (Vancouver Island University)
Seven Against Thebes
Greek
- Gilbert Murray, ed., Aeschyli septem quae supersunt tragoediae, 2nd ed. (Oxford: Clarendon Press, 1955)
- H. W. Smyth, Aeschylus, vol. 1 (Loeb, 1922)
English
- H. W. Smyth, Aeschylus, vol. 1 (Loeb, 1922)
- E. D. A. Morshead, Four Plays of Aeschylus (London: Macmillan, 1908)
- Herbert Weir Smyth, rev. the Seven Against Thebes Heroization team (Hélène Emeriaud, Kelly Lambert, Janet M. Ozsolak, Sarah Scott, Keith Stone), in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Ian Johnston, Seven Against Thebes (Vancouver Island University)
Suppliant Women
Greek
- Gilbert Murray, ed., Aeschyli septem quae supersunt tragoediae, 2nd ed. (Oxford: Clarendon Press, 1955)
- H. W. Smyth, Aeschylus, vol. 1 (Loeb, 1922)
English
- H. W. Smyth, Aeschylus, vol. 1 (Loeb, 1922)
- E. D. A. Morshead, Four Plays of Aeschylus (London: Macmillan, 1908)
- Ian Johnston, Suppliant Women (Vancouver Island University)
Prometheus Bound
Greek
- Gilbert Murray, ed., Aeschyli septem quae supersunt tragoediae, 2nd ed. (Oxford: Clarendon Press, 1955)
- H. W. Smyth, Aeschylus, vol. 1 (Loeb, 1922)
English
- H. W. Smyth, Aeschylus, vol. 1 (Loeb, 1922)
- E. D. A. Morshead, Four Plays of Aeschylus (London: Macmillan, 1908)
- Ian Johnston, Prometheus Bound (Vancouver Island University)
Agamemnon
Greek
- Gilbert Murray, ed., Aeschyli septem quae supersunt tragoediae, 2nd ed. (Oxford: Clarendon Press, 1955)
- H. W. Smyth, Aeschylus, vol. 2 (Loeb, 1926)
English
- H. W. Smyth, Aeschylus, vol. 2 (Loeb, 1926)
- E. D. A. Morshead, The House of Atreus: Being the Agamemnon, Libation-Bearers, and Furies of Aeschylus (London: C. Kegan Paul, 1881)
- Herbert Weir Smyth, rev. Gregory Crane and Graeme Bird, further rev. Gregory Nagy, in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Ian Johnston, Agamemnon (Vancouver Island University)
- Gilbert Murray, The Agamemnon of Aeschylus (London: George Allen & Unwin, 1920)
Libation Bearers
Greek
- Gilbert Murray, ed., Aeschyli septem quae supersunt tragoediae, 2nd ed. (Oxford: Clarendon Press, 1955)
- H. W. Smyth, Aeschylus, vol. 2 (Loeb, 1926)
English
- H. W. Smyth, Aeschylus, vol. 2 (Loeb, 1926)
- E. D. A. Morshead, The House of Atreus: Being the Agamemnon, Libation-Bearers, and Furies of Aeschylus (London: C. Kegan Paul, 1881)
- Jim Erdman, further rev. Gregory Nagy, in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Ian Johnston, Libation Bearers (Vancouver Island University)
Eumenides
Greek
- Gilbert Murray, ed., Aeschyli septem quae supersunt tragoediae, 2nd ed. (Oxford: Clarendon Press, 1955)
- H. W. Smyth, Aeschylus, vol. 2 (Loeb, 1926)
English
- H. W. Smyth, Aeschylus, vol. 2 (Loeb, 1926)
- E. D. A. Morshead, The House of Atreus: Being the Agamemnon, Libation-Bearers, and Furies of Aeschylus (London: C. Kegan Paul, 1881)
- Herbert Weir Smyth, rev. Cynthia Bannon, further rev. Gregory Nagy, in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Ian Johnston, Eumenides (Vancouver Island University)
Ajax
Greek
- Alphonse Dain and Paul Mazon, eds., Sophocle, vol. 2 (Paris: Les Belles Lettres, 1958)
- F. Storr, Sophocles, vol. 2 (Loeb, 1913)
- R. C. Jebb, Sophocles: The Plays and Fragments, part 7, The Ajax (Cambridge, 1896)
English
- R. C. Jebb, Sophocles: The Plays and Fragments, part 7, The Ajax (Cambridge, 1896)
- F. Storr, Sophocles, vol. 2 (Loeb, 1913)
- Ian Johnston, Ajax (Vancouver Island University)
Antigone
Greek
- Alphonse Dain and Paul Mazon, eds., Sophocle, vol. 1 (Paris: Les Belles Lettres, 1955)
- F. Storr, Sophocles, vol. 1 (Loeb, 1912)
- R. C. Jebb, Sophocles: The Plays and Fragments, part 3, The Antigone (Cambridge, 2nd ed., 1891)
English
- R. C. Jebb, Sophocles: The Plays and Fragments, part 3, The Antigone (Cambridge, 2nd ed., 1891)
- F. Storr, Sophocles, vol. 1 (Loeb, 1912)
- R. C. Jebb, rev. Pierre Habel and Gregory Nagy, newly rev. the Hour 25 Antigone Team (Brian Prescott-Decie, Jacqui Donlon, Jessica Eichelburg, Claudia Filos, Sarah Scott), in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Ian Johnston, Antigone (Vancouver Island University)
Women of Trachis
Greek
- Alphonse Dain and Paul Mazon, eds., Sophocle, vol. 1 (Paris: Les Belles Lettres, 1955)
- F. Storr, Sophocles, vol. 2 (Loeb, 1913)
- R. C. Jebb, Sophocles: The Plays and Fragments, part 5, The Trachiniae (Cambridge, 1892)
English
- R. C. Jebb, Sophocles: The Plays and Fragments, part 5, The Trachiniae (Cambridge, 1892)
- F. Storr, Sophocles, vol. 2 (Loeb, 1913)
Oedipus Tyrannus
Greek
- Alphonse Dain and Paul Mazon, eds., Sophocle, vol. 2 (Paris: Les Belles Lettres, 1958)
- F. Storr, Sophocles, vol. 1 (Loeb, 1912)
- R. C. Jebb, Sophocles: The Plays and Fragments, part 1, The Oedipus Tyrannus (Cambridge, 3rd ed., 1893)
English
- R. C. Jebb, Sophocles: The Plays and Fragments, part 1, The Oedipus Tyrannus (Cambridge, 3rd ed., 1893)
- F. Storr, Sophocles, vol. 1 (Loeb, 1912)
- R. C. Jebb, rev. Alex Sens, further rev. Gregory Nagy, in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Ian Johnston, Oedipus Tyrannus (Vancouver Island University)
- Gilbert Murray, Oedipus, King of Thebes (London: George Allen, 1911)
Electra
Greek
- Alphonse Dain and Paul Mazon, eds., Sophocle, vol. 2 (Paris: Les Belles Lettres, 1958)
- F. Storr, Sophocles, vol. 2 (Loeb, 1913)
- R. C. Jebb, Sophocles: The Plays and Fragments, part 6, The Electra (Cambridge, 1894)
English
- R. C. Jebb, Sophocles: The Plays and Fragments, part 6, The Electra (Cambridge, 1894)
- F. Storr, Sophocles, vol. 2 (Loeb, 1913)
Philoctetes
Greek
- Alphonse Dain and Paul Mazon, eds., Sophocle, vol. 3 (Paris: Les Belles Lettres, 1960)
- F. Storr, Sophocles, vol. 2 (Loeb, 1913)
- R. C. Jebb, Sophocles: The Plays and Fragments, part 4, The Philoctetes (Cambridge, 2nd ed., 1898)
English
- R. C. Jebb, Sophocles: The Plays and Fragments, part 4, The Philoctetes (Cambridge, 2nd ed., 1898)
- F. Storr, Sophocles, vol. 2 (Loeb, 1913)
- Ian Johnston, Philoctetes (Vancouver Island University)
Oedipus at Colonus
Greek
- Alphonse Dain and Paul Mazon, eds., Sophocle, vol. 3 (Paris: Les Belles Lettres, 1960)
- F. Storr, Sophocles, vol. 1 (Loeb, 1912)
- R. C. Jebb, Sophocles: The Plays and Fragments, part 2, The Oedipus Coloneus (Cambridge, 2nd ed., 1889)
English
- R. C. Jebb, Sophocles: The Plays and Fragments, part 2, The Oedipus Coloneus (Cambridge, 2nd ed., 1889)
- F. Storr, Sophocles, vol. 1 (Loeb, 1912)
- R. C. Jebb, rev. Roger Ceragioli, further rev. Gregory Nagy, in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Ian Johnston, Oedipus at Colonus (Vancouver Island University)
Alcestis
Greek
- James Diggle, ed., Euripidis fabulae, vol. 1 (Oxford: Clarendon Press, 1984)
- Gilbert Murray, Euripidis Fabulae, vol. 1 (Oxford Classical Texts, 1902)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
- Gilbert Murray, The Alcestis of Euripides (London: George Allen, 1915)
Medea
Greek
- James Diggle, ed., Euripidis fabulae, vol. 1 (Oxford: Clarendon Press, 1984)
- Gilbert Murray, Euripidis Fabulae, vol. 1 (Oxford Classical Texts, 1902)
- F. A. Paley, Euripides, vol. 1 (New York: Harper & Brothers, 1878)
- A. S. Way, Euripides, vol. 4 (Loeb Classical Library, Heinemann, 1912)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, vol. 4 (Loeb Classical Library, Heinemann, 1912)
- E. P. Coleridge, rev. Roger Ceragioli, further rev. Gregory Nagy, newly rev. the Hour 25 Medea Heroization Team (Jessica Eichelburg, Hélène Emeriaud, Claudia Filos, Janet M. Ozsolak, Sarah Scott, Jack Vaughan), in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Ian Johnston, Medea (Vancouver Island University)
- Gilbert Murray, The Medea of Euripides (London: George Allen, 1906)
Children of Heracles
Greek
- James Diggle, ed., Euripidis fabulae, vol. 1 (Oxford: Clarendon Press, 1984)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
Hippolytus
Greek
- James Diggle, ed., Euripidis fabulae, vol. 1 (Oxford: Clarendon Press, 1984)
- Gilbert Murray, Euripidis Fabulae, vol. 1 (Oxford Classical Texts, 1902)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
- E. P. Coleridge, rev. Mary Jane Rein, further rev. Gregory Nagy, in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Ian Johnston, Hippolytus (Vancouver Island University)
- Gilbert Murray, The Hippolytus of Euripides (London: George Allen, 1902)
Andromache
Greek
- James Diggle, ed., Euripidis fabulae, vol. 1 (Oxford: Clarendon Press, 1984)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
Hecuba
Greek
- James Diggle, ed., Euripidis fabulae, vol. 1 (Oxford: Clarendon Press, 1984)
- Gilbert Murray, Euripidis Fabulae, vol. 1 (Oxford Classical Texts, 1902)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
Suppliant Women
Greek
- James Diggle, ed., Euripidis fabulae, vol. 2 (Oxford: Clarendon Press, 1981)
- Gilbert Murray, Euripidis Fabulae, vol. 2 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
Electra
Greek
- James Diggle, ed., Euripidis fabulae, vol. 2 (Oxford: Clarendon Press, 1981)
- Gilbert Murray, Euripidis Fabulae, vol. 2 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
- Ian Johnston, Electra (Vancouver Island University)
- Gilbert Murray, The Electra of Euripides (London: George Allen, 1905)
Heracles
Greek
- James Diggle, ed., Euripidis fabulae, vol. 2 (Oxford: Clarendon Press, 1981)
- Gilbert Murray, Euripidis Fabulae, vol. 2 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
- Robert Potter, adapted by Mary Ebbott and Casey Dué, further adapted by Miriam Kamil, in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
Trojan Women
Greek
- James Diggle, ed., Euripidis fabulae, vol. 2 (Oxford: Clarendon Press, 1981)
- Gilbert Murray, Euripidis Fabulae, vol. 2 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
- E. P. Coleridge, rev. the Trojan Women Heroization team (Keith DeStone, Hélène Emeriaud, Kelly Lambert, Janet M. Ozsolak, Sarah Scott), in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Gilbert Murray, The Trojan Women of Euripides (London: George Allen, 1905)
Iphigenia in Tauris
Greek
- James Diggle, ed., Euripidis fabulae, vol. 2 (Oxford: Clarendon Press, 1981)
- Gilbert Murray, Euripidis Fabulae, vol. 2 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
- Gilbert Murray, The Iphigenia in Tauris of Euripides (London: George Allen, 1910)
Ion
Greek
- James Diggle, ed., Euripidis fabulae, vol. 2 (Oxford: Clarendon Press, 1981)
- Gilbert Murray, Euripidis Fabulae, vol. 2 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
Helen
Greek
- James Diggle, ed., Euripidis fabulae, vol. 3 (Oxford: Clarendon Press, 1994)
- Gilbert Murray, Euripidis Fabulae, vol. 3 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
- E. P. Coleridge, rev. the Helen Heroization team (Hélène Emeriaud, Claudia Filos, Janet M. Ozsolak, Sarah Scott, Jack Vaughan), in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
Phoenician Women
Greek
- James Diggle, ed., Euripidis fabulae, vol. 3 (Oxford: Clarendon Press, 1994)
- Gilbert Murray, Euripidis Fabulae, vol. 3 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
Orestes
Greek
- James Diggle, ed., Euripidis fabulae, vol. 3 (Oxford: Clarendon Press, 1994)
- Gilbert Murray, Euripidis Fabulae, vol. 3 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
- Ian Johnston, Orestes (Vancouver Island University)
Bacchae
Greek
- James Diggle, ed., Euripidis fabulae, vol. 3 (Oxford: Clarendon Press, 1994)
- Gilbert Murray, Euripidis Fabulae, vol. 3 (Oxford Classical Texts, 1913)
English
- T. A. Buckley, The Tragedies of Euripides (London: Henry G. Bohn, 1850)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
- T. A. Buckley, rev. Alex Sens, further rev. Gregory Nagy, in the Kosmos Society Sourcebook, ed. Gregory Nagy (Center for Hellenic Studies)
- Ian Johnston, Bacchae (Vancouver Island University)
- Gilbert Murray, The Bacchae of Euripides (London: George Allen, 1902)
Iphigenia at Aulis
Greek
- James Diggle, ed., Euripidis fabulae, vol. 3 (Oxford: Clarendon Press, 1994)
- Gilbert Murray, Euripidis Fabulae, vol. 3 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
Rhesus
Greek
- James Diggle, ed., Euripidis fabulae, vol. 3 (Oxford: Clarendon Press, 1994)
- Gilbert Murray, Euripidis Fabulae, vol. 3 (Oxford Classical Texts, 1913)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
- Gilbert Murray, The Rhesus of Euripides (London: George Allen, 1913)
Cyclops
Greek
- James Diggle, ed., Euripidis fabulae, vol. 1 (Oxford: Clarendon Press, 1984)
English
- E. P. Coleridge, The Plays of Euripides, 2 vols. (London: George Bell and Sons, 1891)
- A. S. Way, Euripides, 4 vols. (Loeb Classical Library, London: Heinemann; New York: Macmillan, 1912)
Acharnians
Greek
- Victor Coulon and Hilaire van Daele, eds., Aristophane, vol. 1 (Paris: Les Belles Lettres, 1923)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 1 (Oxford Classical Texts, 1906)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
Knights
Greek
- Victor Coulon and Hilaire van Daele, eds., Aristophane, vol. 1 (Paris: Les Belles Lettres, 1923)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 1 (Oxford Classical Texts, 1906)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
- Ian Johnston, Knights (Vancouver Island University)
Clouds
Greek
- K. J. Dover, ed., Aristophanes: Clouds (Oxford: Clarendon Press, 1968)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 1 (Oxford Classical Texts, 1906)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
- William Arrowsmith, Clouds, in The Complete Greek Comedy (Ann Arbor: University of Michigan Press, 1962)
- Ian Johnston, Clouds (Vancouver Island University)
Wasps
Greek
- D. M. MacDowell, ed., Aristophanes: Wasps (Oxford: Clarendon Press, 1971)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 1 (Oxford Classical Texts, 1906)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
Peace
Greek
- Victor Coulon and Hilaire van Daele, eds., Aristophane, vol. 2 (Paris: Les Belles Lettres, 1924)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 1 (Oxford Classical Texts, 1906)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
- Ian Johnston, Peace (Vancouver Island University)
Birds
Greek
- Victor Coulon and Hilaire van Daele, eds., Aristophane, vol. 3 (Paris: Les Belles Lettres, 1928)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 1 (Oxford Classical Texts, 1906)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
- William Arrowsmith, Birds, in The Complete Greek Comedy (Ann Arbor: University of Michigan Press, 1961)
- Ian Johnston, Birds (Vancouver Island University)
Lysistrata
Greek
- Victor Coulon and Hilaire van Daele, eds., Aristophane, vol. 3 (Paris: Les Belles Lettres, 1928)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 2 (Oxford Classical Texts, 1907)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- Jack Lindsay, Lysistrata (Sydney: Fanfrolico Press, 1925)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
- B. B. Rogers, Aristophanes, 3 vols. (Loeb Classical Library, London: Heinemann; New York: G. P. Putnam’s Sons, 1924)
- Ian Johnston, Lysistrata (Vancouver Island University)
Women at the Thesmophoria
Greek
- Victor Coulon and Hilaire van Daele, eds., Aristophane, vol. 4 (Paris: Les Belles Lettres, 1928)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 2 (Oxford Classical Texts, 1907)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
- B. B. Rogers, Aristophanes, 3 vols. (Loeb Classical Library, London: Heinemann; New York: G. P. Putnam’s Sons, 1924)
Frogs
Greek
- Victor Coulon and Hilaire van Daele, eds., Aristophane, vol. 4 (Paris: Les Belles Lettres, 1928)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 2 (Oxford Classical Texts, 1907)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
- Ian Johnston, Frogs (Vancouver Island University)
- Gilbert Murray, The Frogs of Aristophanes (London: George Allen, 1908)
Assemblywomen
Greek
- R. G. Ussher, ed., Aristophanes: Ecclesiazusae (Oxford: Clarendon Press, 1973)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 2 (Oxford Classical Texts, 1907)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
- B. B. Rogers, Aristophanes, 3 vols. (Loeb Classical Library, London: Heinemann; New York: G. P. Putnam’s Sons, 1924)
Wealth
Greek
- Victor Coulon and Hilaire van Daele, eds., Aristophane, vol. 5 (Paris: Les Belles Lettres, 1930)
- F. W. Hall and W. M. Geldart, Aristophanis Comoediae, vol. 2 (Oxford Classical Texts, 1907)
English
- Aristophanes: The Eleven Comedies, 2 vols. (London: The Athenian Society, 1912)
- W. J. Hickie, The Comedies of Aristophanes, 2 vols. (London: Henry G. Bohn, 1853)
- B. B. Rogers, Aristophanes, 3 vols. (Loeb Classical Library, London: Heinemann; New York: G. P. Putnam’s Sons, 1924)
Greek lexicon
Henry George Liddell and Robert Scott, A Greek-English Lexicon, rev. Henry Stuart Jones with Roderick McKenzie, 9th ed. (Oxford: Clarendon Press, 1940), with the 1996 supplement; machine-readable version by the Perseus Digital Library, Tufts University. Served by Grammata.
Drawings
- The Pythia, Apollo's priestess, fleeing in terror with her hands raised. Line drawing after Carl Bötticher's 1859 drawing of an Apulian red-figure krater showing Orestes at Delphi (Naples); cut out and retraced.
- The shepherd Euphorbos carrying the infant Oedipus on his shoulder, a long spear in his hand. Line drawing after the plate of the neck-amphora by the Achilles Painter, Paris, Cabinet des médailles 372, in Furtwängler and Reichhold, Griechische Vasenmalerei III (1927), Taf. 167; cut out and retraced.
- Iphigenia, priestess of Artemis, holding out a letter tablet and the temple key. Line drawing after R. Jaene's 1849 lithograph of the Buckingham vase (Archäologische Zeitung 7, Taf. XII); cut out and retraced.
- A comic actor as a crowned king, white-bearded, a bird-topped sceptre in his hand, reaching out. Line drawing after the Apulian red-figure bell-krater J. Paul Getty Museum 96.AE.113; traced from the museum's photograph (CC0), taken off the vase's curve; the king cut out.
- Three comic actors on a stage: at the left a padded young man with dark hair leans on a staff; in the middle an actor in a woman's dress, a cloth billowing over the head, wears the mask of a white-haired old woman; at the right a crowned king with a white beard and a bird-topped sceptre reaches toward her. Line drawing after the Apulian red-figure bell-krater J. Paul Getty Museum 96.AE.113; traced from the museum's photograph (CC0), taken off the vase's curve.
- A Greek horseman charges with a levelled lance at a bearded king in a Persian cap and patterned sleeves, who flees in a four-horse chariot driven by a young charioteer and looks back holding out his hand; beyond the horses a Persian swings a battle-axe at a young Greek with a spear and a round shield; stars above, plants and a dotted ground line below. Line drawing after the 1883 plate of an Apulian amphora in Naples (Heydemann, Hallisches Winckelmannsprogramm 8); cut out and retraced.
- Eriphyle walking ahead of the four-horse chariot of Amphiaraos. Line drawing after the 1843 plate of an archaic black-figure hydria (Gerhard, Auserlesene griechische Vasenbilder II, Taf. XCI, "Eriphyle"); cut out and retraced.
- Amymone running, and her father Danaus. Line drawing after the 1858 plate of a Nola amphora formerly in the Durand collection (Lenormant and de Witte, Élite des monuments céramographiques III, pl. XX); cut out and retraced, without Poseidon.
- A long-haired bearded man bends his knees under the sky he holds up; facing him, a bearded man bound to a column, an eagle at his chest and his blood falling; a snake behind the first man; below the ground line, a capital between two lotus sprays; three rings round the circle. Line drawing after a photo of a Laconian black-figure cup in the Vatican (Museo Gregoriano Etrusco 16592): Atlas holds up the sky; Prometheus is bound to a column and the eagle feeds on him; a snake behind Atlas; below, a capital between two lotus sprays; the three border rings; retraced.
- Aegisthus, bearded, grips the head of Agamemnon, who is wrapped in a fine net-like robe, and drives his sword at him; behind Aegisthus Clytemnestra holds a double axe; women at either side throw up their hands. Line drawing after the Attic red-figure calyx-krater Boston, Museum of Fine Arts 63.1246, side A; traced from the museum's photographs, taken off the vase's curve.
- Orestes kills Aegisthus on his throne; Clytemnestra comes at him with an axe, and Electra stands at the right. Line drawing after the 1843 plate of a red-figure stamnos by the Copenhagen Painter, formerly Berlin F 2184, now Moscow, Pushkin Museum (Gerhard, Etruskische und kampanische Vasenbilder, Taf. XXIV); cut out and retraced.
- Inside the temple at Delphi: the old priestess flees with her hands raised beneath a black Fury holding a snake; Apollo strides forward with his arm stretched out; Orestes kneels with his sword at the omphalos, which is wrapped in a net of tassels, beside a laurel; Artemis stands with two spears and her hounds; Ionic columns, hanging shields and tripods. Line drawing after Carl Bötticher's 1859 drawing of an Apulian red-figure volute-krater (Naples): the Pythia fleeing, the Fury, Apollo, Orestes at the omphalos, Artemis with her hounds; retraced.
- Ajax carries the armed body of Achilles; Briseis lays her hand on his helmet, the old Phoenix raises his hand, and a hoplite and an archer follow. Line drawing after the 1847 plate of a black-figure amphora (Gerhard, Auserlesene griechische Vasenbilder III, Taf. CCXI-CCXII, 4); cut out and retraced.
- Antigone, veiled, her hands bound behind her back, her head bowed. Line drawing after the Apulian red-figure amphora by the Darius Painter, c. 350-320 BCE, Berlin, Antikensammlung F 3240; traced from a photograph by ArchaiOptix (CC BY-SA 4.0), taken off the vase's curve, changed. This drawing is CC BY-SA 4.0.
- Herakles and Deianeira with their son Hyllos, between Athena and Oineus. Line drawing after the 1843 plate of a red-figure pelike formerly in the Durand collection (Gerhard, Auserlesene griechische Vasenbilder II, Taf. CXVI, "Herakles und Hyllos"); cut out and retraced.
- A king sits enthroned in a laurel wreath, holding a sceptre topped by a bird, before a throne-back with a key pattern; an old man in a laurel wreath and a richly patterned robe, holding a staff topped by a small temple, steps towards him, led by a boy who carries a laurel branch; at the left a woman holds up a mirror beside a basin on a column, with a small plant between her and the throne. Line drawing after Raoul-Rochette's 1833 plate of the Sbani vase (Monumens inédits, pl. 78); retraced.
- A young man in a short cloak holds out a two-handled urn to a veiled woman, who raises a hand to her chin; behind him a second young man in a cloak stands with two spears, his hand on his hip. Line drawing after the 1813 plate of a red-figure vase (Laborde, Collection des vases grecs de M. le comte de Lamberg I, pl. VIII); cut out and retraced.
- Philoctetes alone on Lemnos, seated on a rock under a tree, his bandaged leg drawn up, his bow case beside him. Line drawing after the Attic red-figure squat lekythos in the manner of the Eretria Painter, c. 420 BCE, New York, Metropolitan Museum of Art 56.171.58; traced from photographs by Marie-Lan Nguyen (CC BY 2.5) and the Metropolitan Museum of Art (CC0), changed.
- Blind Oedipus, white-haired and bearded, seated at an altar with his staff, one hand raised, between his daughters Ismene and Antigone. Line drawing after the Apulian red-figure calyx-krater close to the De Schulthess Painter, 340s BCE, formerly Melbourne, Geddes collection A 5:8, read as a scene from Sophocles' Oedipus at Colonus (Taplin, Pots & Plays no. 27); traced from photographs, chiefly those in J. R. Green, Ancient Voices, Modern Echoes (2003): cut out, columns left out, redrawn as line.
- Apollo with a palm and a bull. Line drawing after the 1857 plate of a Campanian neck-amphora formerly in the Blacas collection, now British Museum 1867,0508.1122 (Lenormant and de Witte, Élite des monuments céramographiques II, pl. LIV); cut out and retraced.
- Admetus on horseback. Line drawing after the 1857 plate of a Campanian neck-amphora formerly in the Blacas collection, now British Museum 1867,0508.1122 (Lenormant and de Witte, Élite des monuments céramographiques II, pl. LIV); cut out and retraced.
- Medea in a patterned dress and tall headdress seizes a boy on an altar, sword in hand; a servant leads another boy away; in the middle a youth with torches stands in a chariot drawn by two serpents; at the right a bearded man with sword and spear rushes in, followed by a young man in a broad hat. Line drawing after Karl Reichhold's 1906 drawing of the Medea krater by the Underworld Painter, Munich, Staatliche Antikensammlungen 3296 (Furtwängler and Reichhold, Griechische Vasenmalerei II, Taf. 90); the lower band, cut out and retraced.
- Heracles carries a great boar on his shoulder and sets his foot on the rim of a storage jar, in which King Eurystheus cowers with his arms raised; at the left a woman and the bearded Iolaos look on, at the right Athena in her crested helmet and Hermes in his travelling hat. Line drawing after the 1843 plate of a black-figure amphora (Gerhard, Auserlesene griechische Vasenbilder II, Taf. XCVII, 1): Heracles brings the boar to Eurystheus, who hides in a storage jar, with a nymph and Iolaos at the left and Athena and Hermes at the right; retraced.
- An Amazon with bow and axe fighting a Greek hoplite. Line drawing after the 1847 plate of a red-figure amphora formerly in the Pizzati collection, Florence (Gerhard, Auserlesene griechische Vasenbilder III, Taf. CLXV, 4, "Theseus und Antiope"); cut out and retraced.
- Neoptolemos, sword raised, kills old Priam on the altar, the dead Astyanax across his knees. Line drawing after Karl Reichhold's 1904 drawing of the Vivenzio hydria by the Kleophrades Painter, Naples, Museo Archeologico Nazionale 81669 (Furtwängler and Reichhold, Griechische Vasenmalerei I, Taf. 34); cut out and retraced.
- A helmeted warrior with a spear leads a veiled woman by the wrist towards a white tomb, a snake rising from the tomb and a small animal at its foot, a winged armed figure flying above. Line drawing after the 1850 plate of a black-figure vase in Berlin (Gerhard, Trinkschalen und Gefässe II, Taf. XVI): Neoptolemos leads veiled Polyxena to the tomb of Achilles, with a snake and a dog at the tomb and the winged shade of Achilles above; cut out and retraced.
- Aithra holds out a phiale to her son Theseus, who stands armed in a cuirass with a long spear; a youth leaning on a staff faces them. Line drawing after the 1847 plate of a red-figure calyx-krater (Gerhard, Auserlesene griechische Vasenbilder III, Taf. CLVIII); cut out and retraced.
- Orestes, cloaked, a scabbard at his side, grips the bearded Aegisthus by the head and drives his sword into his chest; Aegisthus, bare-chested and wreathed, falls back from his chair with his arms flung out; at the left a woman flees with a raised hand, looking back. Line drawing after Karl Reichhold's drawing of the Berlin Painter's pelike, Vienna, Kunsthistorisches Museum IV 3725 (Furtwängler and Reichhold, Griechische Vasenmalerei II, Taf. 72); cut out and retraced.
- Herakles in a lion skin drawing his bow. Line drawing after the 1850 plate of a red-figure vase in Berlin (Gerhard, Trinkschalen und Gefässe des Königlichen Museums zu Berlin II, Taf. XXI); cut out and retraced.
- Menelaus dropping his sword at the sight of Helen. Line drawing after the 1847 plate of a red-figure amphora (Gerhard, Auserlesene griechische Vasenbilder III, Taf. CLXIX, 4); cut out and retraced.
- Before the temple Iphigenia, in a tall headdress and a checked skirt, hands a letter tablet to Pylades, who holds a spear; Orestes leans on a pillar at the left with Eros flying above him, Artemis flies down at the right with a torch and a spear, and an attendant brings a tray. Line drawing after R. Jaene's 1849 lithograph of the Buckingham vase (Archäologische Zeitung 7, Taf. XII): Iphigenia handing her letter to Pylades before the temple, Orestes, Eros, Artemis and an attendant; retraced.
- Apollo seated on the Delphic tripod with a bowl and a bow, between the Pythia holding a jug and a girl reaching towards him. Line drawing after the 1857 plate of a red-figure vase (Lenormant and de Witte, Élite des monuments céramographiques II, pl. XLVI); cut out and retraced.
- A bearded warrior in a cuirass, his spear reversed, leading away a woman veiled as a bride, his hand on her shoulder. Line drawing after the 1858 plate of a red-figure vase (Lenormant and de Witte, Élite des monuments céramographiques III, pl. LVII B); cut out and retraced.
- Europa seated sideways on a leaping bull, looking back at a woman in a long cloak who stretches out her arm after them. Line drawing after the 1844 plate of a red-figure vase (Lenormant and de Witte, Élite des monuments céramographiques I, pl. XXVIII); cut out and retraced.
- Apollo, a laurel branch in his hand, holds a piglet over Orestes, who sits on the altar before the omphalos with his sword; Artemis stands at the right with her spears; at the left Clytemnestra's ghost tries to wake two sleeping Furies, and a third Fury rises below; a shield hangs above. Line drawing after Karl Reichhold's 1909 drawing of the Eumenides Painter's bell-krater, Paris, Louvre Cp 710 (Furtwängler and Reichhold, Griechische Vasenmalerei II, Taf. 120.3); cut out and retraced.
- Four women in long dresses and mantles dance in a line: one plays a double pipe, one carries a tall thyrsos and a torch held down, one beats a drum raised high, and one wrapped in her mantle carries a staff. Line drawing after Karl Reichhold's 1904 drawing of the Lenaia stamnos by the Dinos Painter, Naples, Museo Archeologico Nazionale 81674 (Furtwängler and Reichhold, Griechische Vasenmalerei I, Taf. 37); cut out and retraced.
- Artemis in a patterned dress draws her bow, reaching back for an arrow from her quiver, at a woman in a long mantle who looks back at her as she flees, holding out one hand, a small child in her other arm. Line drawing after the 1857 plate of a red-figure vase (Lenormant and de Witte, Élite des monuments céramographiques II, pl. XC); cut out and retraced.
- Two nude young warriors creeping to the right: behind, one in a pointed cap with a crescent and a rim of discs and a disc-studded cross-band, two spears over his shoulder and one lowered in his hand; ahead, one in a helmet with a star-tipped spike and a flying cloak, his spear levelled and a round shield with a star. Line drawing after the 1877 plate of a red-figure krater in Vienna (Hoernes, Archäologische Zeitung 35, Taf. 5); cut out and retraced.
- Two men in short tunics and broad hats drive a long stake into the eye of a huge bearded man who reclines asleep with a club; behind them a third man thrusts a stake into a fire, and ivy trails above. Line drawing after the 1887 plate of a black-figure oinochoe in the Louvre (Gazette archéologique 12, pl. 1): three of Odysseus' men, two driving a stake into the eye of the sleeping Polyphemus, one heating a stake in the fire, with ivy above; cut out and retraced.
- An old man with white hair holds out a spear to a comic warrior in a crested helmet, seated on a stool with his round shield, his right hand raised. Line drawing after the Apulian red-figure bell-krater Würzburg H 4689; traced from photographs by ArchaiOptix (CC BY-SA 4.0), taken off the vase's curve, changed.
- Three masked comic actors at a stage: on its ladder a bald slave pulls an old man up by the head; the old man, white-haired and bent over a crooked stick, is pushed from behind by a second white-haired slave; on the stage, under a porch roof on a post, lie a patterned bundle and a pointed cap. Line drawing after the 1857 plate of a red-figure vase (Lenormant and de Witte, Élite des monuments céramographiques II, pl. XCIV); cut out and retraced.
- A comic old man in a long robe, his arm stretched out, and his white-haired slave hitching up his short tunic. Line drawing after a photo of a Sicilian red-figure calyx-krater (Louvre CA 7249), taken off the vase's curve, cut out and retraced.
- Two comic old men with white hair and beards on a stage by a porch: one holds out a patterned cloth, the other leans on a stick and holds the wrist of a small figure in a ram mask who stands behind a patterned chest. Line drawing after the Apulian red-figure bell-krater J. Paul Getty Museum 96.AE.112; traced from the museum's photograph (CC0), taken off the vase's curve.
- Three masked comic actors on a rough plank stage on three posts: at the left an old countryman, white-haired, leans on his stick, his striped bundle clamped in a carrying fork behind him; in the middle a bald slave, a large writing tablet on his arm, turns back to him with a raised finger; at the right a scribe sits on a chair, a tablet on his arm, holding his stylus to his mouth. Line drawing after the 1853 plate of the Reckoning Painter's krater (Wieseler, Annali dell'Instituto 25, tav. d'agg. C-D, 6); retraced.
- A bearded piper in a long cloak plays the double pipes; before him two bearded men dance to the right in bird masks with red crests and beaks, wings strapped to their arms, among branches of ivy. Line drawing after the 1881 plate of a black-figure oinochoe in the British Museum (Journal of Hellenic Studies 2, pl. XIV, fig. B.1): a piper playing the double pipes for two dancers in bird masks with crests and strapped-on wings, branches of ivy in the field; cut out and retraced.
- Five women in long patterned dresses, three carrying water jars on their heads, meet at a fountain. Line drawing after the 1858 plate of a black-figure hydria (Gerhard, Auserlesene griechische Vasenbilder IV, Taf. CCCVIII, 2): five women at a fountain; cut out and retraced.
- The Kinsman, kneeling on a blood-stained altar, threatens a wineskin dressed as a baby with a knife; Mika, in an old woman's mask, holds out a bowl for its blood. Line drawing after the Apulian red-figure bell-krater Würzburg H 5697, side A; traced from photographs by ArchaiOptix (CC BY-SA 4.0), taken off the vase's curve, changed.
- The bust of Dionysos in a wreath and fillet, a vine with grapes above, between two comic actors in masks: on the left one reaches up for a bunch of grapes, on the right one in a shaggy white suit holds out a large cup. Line drawing after the Apulian red-figure bell-krater Cleveland Museum of Art 1989.73, side A; traced from the museum's photograph (CC0), taken off the vase's curve.
- Three masked comic actors on a stage before a half-open studded door, a jug hanging above: an old man in a short tunic and an old woman in a long veiled cloak hold a dish of cakes between them over a bench, each holding up a morsel; behind her a bald, bearded slave turns away, a hand at his mouth. Line drawing after the 1884 plate of the Caputi vase (Heydemann, Hallisches Winckelmannsprogramm 9); retraced.
- An old man with white hair and a white beard, in a long pleated robe and a mantle, holding a long banded sceptre and a large horn of plenty, its mouth crowned with leaves and a shell. Line drawing after the 1858 plate of a red-figure vase (Lenormant and de Witte, Élite des monuments céramographiques III, pl. LVIII); cut out and retraced.
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